The Metal Arts Guild (MAG) is an independent, non-profit, educational organization
of people who are skilled, interested, or share in the production and exhibition of metals.

Our Community


Everyone is welcome to join: from the beginner to the master craftsperson, teachers and students, metal arts collectors and more. Each member is a vital part of making the Guild work for our community.


We support the work of outstanding metal artists by organizing exhibitions, lectures, and workshops, awarding an annual MAG Community Project Grant, various student scholarships, and offering resources and opportunities for our members.


MAG is a 501(c 3) non-profit, all-volunteer-led arts organization, and we rely on your generosity to help us provide metal related events, lectures, workshops, exhibitions and networking mixers to the membership and community.

Featured Member

Each month a new Featured Member is chosen from the completed member profiles on our website. Their interview and work is highlighted on our blog and social media.

February 2017

  • Alexa
  • Alexa
  • Alexa
  • Alexa
  • Alexa
  • Alexa


Benicia, Ca

Tell us a little about yourself.

My life experiences have been very diverse, and are all part of who I am as an artist. I speak many languages, have traveled around the world, and lived in Mexico and India. I have known the rhythm of life in villages with no electricity or running water. I have slept in a manger in the foothills of the Himalayas, lived in a temple compound in southern India, and participated in ritual dancing and visitations through the night disguised as a demon in a village in Mexico. These and so many other experiences have enriched my inner landscape. Although, I am not drawn to mimic ethnic styles, my work often has a textural feeling that is reminiscent of lives more connected to earth and nature and simple tools.

However, at the end of all travel there is an experience of coming home and reintegration into one’s own sense of self. Ultimately, the effect of so much exposure to other cultures has been to clarify who I am as a person, a woman and an artist. It is mostly from the unique forms, textures and themes of the world in which I live that I draw inspiration. Although an element may appear in my work that has an ethnic feel, I am driven to frame it with a simple, sleek shape or surface that reflects a more modern sensibility. The best example of this juxtaposition is a series of cuffs that consist of fold-formed, oxidized copper attached to polished silver with silver rivets.